

The
American Dream, Nashville-Style
By
Shirley Fong-Torres
Shirley would love to hear
from you at
wokwiz@aol.com
(In
the photo above, Shirley Fong-Torres, the Wok Wiz, is pictured at Bluebird Cafe
with, from left, Tim Meitzen, Chris Cavanaugh, Jason Howard, and Anthony Christopher
Orio)
My bipolar honeybear,
Wroburlto, complains about my taste in music. It's too Country Western for the
cutting edge of gay life-style, where he dances the night away. So, imagine my
surprise when Wro began dropping hints that we should visit Nashville.
At first, they were intended to perk my curiosity.
"Mommy, did
you know that Elvis' solid gold Cadillac is in the Country Music Hall of Fame?"
"Think, Mommy, if we were in Nashville, we could see more than 20 stars
in one night at the Grand Ole Opry."
"Mommy, the biggest barbecue
competition in the whole world is held at the Jack Daniels distillery."
Wro
Plays to My Weaknesses
Then he started playing on my weaknesses -
for wild clothes, good deals and anything related to gambling.
"Guess
what, Mommy? A Nashville art museum has an exhibition of clothes worn by Nashville
stars."
"Did you know that a bottle of Gentleman Jack (Tennessee
whiskey) with the master distiller's autograph sold for $400 on E Bay?"
"Mommy, the largest hotel anywhere outside Las Vegas is in Nashville.
Hello."
I'm not sure what that last one had to do with gambling,
but Wro works my subliminal circuits. And anyway, he had me with Elvis' car.
My Secret Love for
Country Western Music
Visiting
Nashville has been a long-time dream of mine. Country music activates my secret
identity. In the privacy of my shower, I am the Chinese Loretta Lynn. I once owned
a red pick-up truck, and I update my wardrobe of cowgirl boots and hats every
time I visit Reno. I have escorted real Nashville stars through Chinatown's dim
sum row, appeared on singer Chely Wright's music video on TNN, and I have supported
numerous country singers in the lounges of Las Vegas. So, a trip to Nashville
was my hajj.

(Elvis' famous gold piano)
It
also seemed like an appropriate place for Wroburlto. After all, no other city
has so many conflicted personalities. Over the years, Nashville has been known
as "Music City;" "Rock City;" "Athens of the South;"
"Minnesota of the South;" and the "Wall Street of the South."
It treats this civic schizophrenia
with nothing more than honky tonk cures and ambitious urban renewal projects.
So, Wro and I were off like two hungry guitar pickers drawn to distant
stage lights. Just minutes after landing at the Nashville airport, we were in
the center of all things Country Western.
Stay
at the Downtown Hilton
Tip #1: If your trip to Nashville is motivated
by honky tonk dreams, or anything related to Music City heritage, stay at the
downtown Hilton. It's a lovely, all suites hotel - literally. So many downtown
hotels that claim that distinction just have a superfluous wall between the bed
and the rest of the furniture.
Not
the Nashville Hilton, which is as perfectly located for my purposes as any hotel
could be. It sits next door to both the Country Music Hall of Fame and the Nashville
Arena, a few short blocks from lower Broadway's honky tonk scene, the Ryman Auditorium
and the rest of downtown's attractions.
Being an immigrant's daughter,
the Hall of Fame let me identify with the sisterhood of outsiders. Wro says the
Hall should be renamed "The Museum of the American Dream," because the
history of Country Music is the story of poor kids who came to the big city hoping
to change their fate.
An
Appalachian Variation on the Immigrant's Dream
That
makes it an Appalachian variation on the immigrant's dream. Elvis's golden Cadillac
equals the Chinese-American's "Gold Mountain." It is also just one of
the symbols of country music's story, as told in the Hall of Fame:
~When
she cashed the check on her first hit record in 1929, Maybell Carter bought a
$250 Gibson guitar that is now valued at $575,000. Lefty Frizzle's first paycheck
went to a new custom Gibson, too.
~When the Everly Brothers got their
first paycheck, they bought custom leather jackets.
~When Webb Pierce
made it, he had Hollywood costume designer Nudie Cohn design his "Silver
Dollar Convertible."
~Cindy Walker's Hall of Fame acceptance speech
refers movingly to the old dress she wore that night, and which her dead mother
has sewn for her long before.
~"Nudie suits," as Cohn's sparkling,
fringy costumes are called, became synonymous with C&W music and American
culture.
Visiting a
De Facto Smithsonian
But,
we're serving dessert before appetizers. The Country Music Hall of Fame is a de
facto Smithsonian Museum. The history of this once regional music form mirrors
the history of all American families. Since Nashville is a city of stars and short
stories, anecdotes are used as currency in all conversations about this city:
~Early Tennessee banjos were made of ground hog hide and oak.
~Marty Robbins guitar was about the size of Wroborlto's, smaller than an Hawaiian
ukulele.
~Hank Williams' death created so huge a void in this fledgling
industry that "Who is the next Hank?" has been asked ever since. Faron
Young was the first 'next Hank,' zooming out of Louisiana with "Live Fast,
Love Hard, Die Young."
~Elvis thought he was inconspicuous slipping
into town late on Sunday nights, in a solid gold Cadillac.
~Priscilla
considered her first anniversary gift to Elvis, having French craftsmen gild his
piano in 24 karat gold, a class act.
~Floyd Tillman started the cheatin'
song thing, with "Slippin Around" in 1949.
~ Lefty Frizzle,
at age 19, wrote "I Love You 1000 Ways," while in jail for statutory
rape of his wife.
~Kitty Wells was forbidden to sing her scandalous hit,
"Honky Tonk Angels," on the Grand Ole Opry stage.
~Clear channel
radio station WSM, which spread the Opry gospel far and wide, took its name from
"We Shield Millions," motto of original Opry sponsor and station owner,
National Life & Accident insurance company.
Dinner
with Richard Lee
One special service the museum provides is songwriter
dinners. We went to one with Richard Lee, who wrote some Crystal Gayle and Reba
hits that have entertained our showerheads for decades. He told stories of how
each song was written. In the case of Richard's biggest hit:
"I
was working away at the piano on this tune I had titled 'Don't It Make My Rainbows
Blue.' Now, if I had stuck with that, I'd still be a struggling songwriter, my
family would not have financial security and you wouldn't have any clue what I'm
talking about. But fortunately my dog Amanda kept staring up at me, pleading with
me to leave the piano, with her big, brown eyes
Today, my Grammy for that
song sits on my mantle, and Amanda's little blue collar is wrapped around it."
Richard also tipped us to a great venue to catch young songwriters on
the rise, a favorite subject of Wro's.
Tip #2: The legendary Bluebird
Café, whose dinner concerts are televised throughout the South, has two
shows every night. The early shows have better ticket availability and feature
younger singer-songwriters, guys in the process of becoming famous.
The next morning, over a wonderful Southern breakfast at the Hilton, Wro frantically
informed me that we only had 12 hours before the Bluebird's early show.
Sensing
an impending ADHD (or even a full-blown manic) episode, I suggested many of Nashville's
more sedated attractions: The Lane Motor Museum, which has an amazing collection
of classic European cars and free admission to children under 18; The Belle Meade
Plantation, an Ante Bellum thoroughbred farm on the Natchez Trace; the Cheekwood
Botanical Gardens and Museum of Art, with a regional collection and delicious
Southern gardens; and RCA Studio B, where Elvis and so many others recorded their
hits.
Visiting the Frist
Center for the Arts
No surprise, Wro insisted on something I didn't
suggest, the Frist Center for the Arts. In a lovely Depression-Era post office,
the Frist has been converted by the medical-political family that is one of the
city's main cultural benefactors. Kids get in free here, too, and, in fact, education
and outreach are the focuses of the museum.
The Frist doesn't even have
a permanent collection, centering, in Nashville fashion, on temporary blockbusters
and interactive teaching projects. Wro was drawn to the Manuel exhibition, an
over-the-top collection of 50 lavish suits designed by the reigning emperor of
Nashville costumes, Manuel Arturo Jose Cuevas Martinez. Manuel left Mexico in
the early 1950's and landed a job tailoring for Nudie Cohn. He has outlived all
his famous competitors, and his name is now synonymous with all that glitters
in Music City.
Once again, a single anecdote stands in for the spirit
of what we saw:
An aging Nashville star kept asking Manuel for more youthful
clothing than she could wear with any dignity. So Manuel took her aside and told
her, 'Darling, I have known you since you were a princess. Now I think you should
be a queen.'"
Our Manuel experience suited (Wro insisted on that
pun, forgive me) our American Dream theme. However, it probably gives a false
impression of the Frist Center, which normally plays to more traditional arts.
It also reminded my clothes-obsessed bear that I had not sewn any new bear outfits
since Build-A-Bear-Workshops first came to San Francisco. His designs for a Manue-style
suit were a bit ambitious, though.
A
Week-Long Music Extravaganza
As Wro fussed wildly about having to
wear "rack-bought" clothes, I dealt by going out to lunch. CMA sponsors
the Music Festival (formerly known as Fan Fair), a week-long extravaganza in which
the music industry tries to put the stars in touch with their fans, in personal
appearances, concerts of all sizes, etc. It is, by far, Nashville's busiest tourism
event, having outgrown both the Municipal Auditorium and the State Fairgrounds,
too.
CMA also runs its own restaurant, Red Wagon Cafe, in the gentrified
Historic East Nashville. Though they also serve lunch and dinner, they are most
famous among local foodies for their brunches. We enjoyed pumpkin pancakes and
an eggs dish named after Loretta, but resembling a classic Benedict.

(Singer Josh Turner, with Wro, turned up during brunch
to sing a couple of songs)
Hot
young (Wro's words, not mine) star Josh Turner turned up during brunch to sing
a couple songs and talk to the customers. This sort of thing just doesn't happen
in California, but we were sensing it's not that odd in Music City.
Josh told us he first came to town to attend Belmont University,
"Because
my parents wanted me to go to college, and because I wanted to go to Nashville,
and so I made both things happen at same time."
Josh is so fresh
a talent (he had his first gold record 'Long Black Train' in 2003) that he still
collects autographs himself, on his guitar - Hank, Jr., Loretta, Little Jimmy
Dickens, Emmy Lou Harris, Vince Gill, Charlie Pride, Marty Stuart and most impressively
Eddie Arnold.
"He's been like a Grand Daddy to me. He and I have
lunch and he tries to give me good advice. He hated 'Long Black Train,' but he
loves a good love song."
Josh also answered Wro's question about
making it.
Failures
Never Bothered Josh
"I
always knew God had given me this mission, so failures didn't bother me. There
were some really talented people at Belmont when I was there, but they would go
to an audition and not make it and they'd be crying, like the world had ended.
I don't think you can make it in this business if you have that kind of self-doubt.
I watch 'Nashville Star,' or 'American Idol' and I see young people who are wondering
if they are good enough. Those are the ones who won't make it. The ones who know
and don't worry about failures have a chance."
As Josh posed for
photos with Wro, I figured I had a couple hours before my bear's good mood would
evaporate. So I spent them at the Ryman Auditorium, the long-time home of the
Grand Ole Opry and before that a spiritual meeting hall. A Loretta wannabe gets
religious vibes walking around there, and my only regret about the trip is that
there wasn't a timely opportunity to catch a Ryman show. The auditorium, however,
was not having a calming effect on Wro.
First he stepped into the spotlight
on the Ryman stage, a delicious photo op the auditorium allows visitors, and began
singing from "It Wasn't God Who Made Honky Tonk Angels," by J.D. Miller.
"From the start most every heart that's ever broken
Was because
there always was a man to blame."
Then Wro started mumbling strange
accusations that Josh had been cheating on him. (When he came to the Red Wagon
Café, Josh Turner had been accompanied by his wife and business manager).
So we left quickly and walked down Lower Broadway to the Hatch Print
store. This is one of the two oldest businesses in town, and still prints concert
posters by hand, like it has since Reconstruction. I bought my bear a copy of
an old Hank Williams concert poster and he stopped talking about "abusive
clothing" and "cheating men" long enough that we could return to
the Hilton so Wro could change clothes for the Bluebird.
The
Bluebird Cafe -- A Casual Spot for Dinner
Not
that one needs to dress up for dinner there. The Bluebird Café
is as
casual as long necks and old jeans, with diners sitting tightly around cabaret
tables. It's a rare non-smoking club too! We caught a wonderful show, with Chris
Cavanaugh of Missouri, Jason Howard from Murfreesboro, Anthony Christopher Orio
of Nashville and Tim Meitzen from Little Rock taking turns singing their own compositions,
some of which were almost famous enough that we had heard them on the radio, though
most were new.
The young men had wonderful senses of humor, something
that seems to be slipping away in CW music these days. Anthony brought the house
down with "I Taught Her Everything She Knows" and Tim sang a hilarious
song about men shaving parts of their body that real men should not shave. Jason's
father-in-law, an old studio musician who had toured with Johnny Cash, sat in
on one song. All the boys posed for pictures with Wro.
Station
Inn -- the Most Famous Bluegrass Honky Tonk
We left singing some
of the boys' songs and headed down to Station Inn, the nation's most famous bluegrass
honky tonk. We sat on some old vinyl seats that had been pulled from Lester Flatt's
tour bus. This place is all about the music, with respectful crowds of pure bluegrass
enthusiasts. We left with banjo licks in our heads.
But by the time
we got back to the Hilton, I was beginning to feel a bit irresponsible. A good
mother would be exposing her son to something more than honky tonks, gaudy clothes
and a bunch of photos ops with "hot boys." I went to bed with a resolve
to broaden our cultural horizons the next day.
IF
YOU GO...
Visit
www.tnvacation.com and www.nashvillecvb.com.
Nashville Hilton Downtown
121 4th Avenue
Nashville, TN 37201
(615) 620-1000
Country
Music Hall of Fame
222 Fifth Avenue South
Nashville, TN 37203
(615) 416-2001
www.countrymusichalloffame.com
Station Inn
402 12th Avenue South
Nashville, TN 37203
(615) 255-3307
www.stationinn.com
Hatch Show Prints
316 Broadway
Nashville, TN 37201
(615)
256-2805
Ryman Auditorium
116 5th Avenue North
Nashville,
TN 37219
615-458-8700
www.ryman.com
Frist Center for the
Arts
919 Broadway
Nashville, TN 37203
615-744-3332
www.fristcenter.org
Red Wagon
Café
1112 Woodland Street
Nashville, TN 37206
(Click
below for more travel stories!)