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finally got to see Gertrude that afternoon and told her about my talk with Marevna. She laughed nervously. As we walked through the Luxembourg Gertrude waved to many people. "You seem
to know everyone," I joked. When
I objected to the title she replied. "In this world one has to Something Interesting for Marevna "You
are not to argue with me. When you come with Marevna, you will bring me something
interesting. I will buy it and hang it with the Picassos, Matisses and Cezannes.
People will see it. I will make you famous." Gertrude
watched the water jet. "It repeats and repeats. I write under that influence.
Again and again..." Walking with Gertrude for the Next Hour
We walked for the next hour. I was walking with Gertrude on my arm. Alice tended
to their dog, Basket's, needs. He was a spoiled poodle with a mind of his own.
When Gertrude wasn't looking, Alice fed Basket chocolates. She obviously had no idea how little money I had. "I
can't afford to buy paintings," I stated. Many Teachers in Paris, but Gertrude Was Nearly Always Right
Now, as I look back on that night in Montparnasse, I realize that Gertrude was
right. During my stay in Paris, I had many teachers. Some were often right but
Gertrude was nearly always right.
(The Moulin Rouge, one of the living symbols of the Paris everyone knows) That
weekend was full of surprises. Friday I set out for Kissling's before dawn. He
was seated at a small table, sipping coffee, totally composed. He
handed me a bundle encased in a towel. I followed his instructions and held the
bundle high over my head. Kissling lit two candles, and with one in each hand,
he walked slowly around me chanting the mourner's prayer. He
took the bundle from my arms and went out into the back yard. "But
not a good age for death. There is no good age for death. She was so beautiful,
so amusing. But her curiosity and her gluttony were too great. She loved, she
suffered, and she is dead. Peace be upon her soul." Tears fell from his eyes.
"I wanted to send it to
my friend, Ilya, as a gift." Fear of the Duel's Possibilities Kissling fought back tears. He stared into space. Fear of the duel's possibilities were surfacing. Then he added.
"I couldn't save her. She ate a whole tube of paint - - cadmium yellow."
He took a deep breath and wiped a tear from his eye. I wasn't used to seeing Kissling so serious. He was a man of laughter. His gaiety was infectious. He retrieved his fencing sword and handed me the sabers in an ornate box. Then he slammed the door and with long, determined strides he headed into rue Joseph Bara towards Parc-des-Princes. I had trouble keeping up with him for the next twenty minutes. The first light was fighting its way onto a silent Paris. I continued a few paces behind like an Arab's wife. Despite the hour, a crowd gathered. Gottleib and Rivera waited near the bicycle path. We quickly reviewed the rules. The combatants took their pistols and cocked them. As though it had been predetermined, they both wore white shirts and black pants. They were back to back as Rivera; standing beside me began to count. There were no sounds except the duelists' steps and the crowd shying away. The adversaries showed no emotion. "...dix-huit...dix-neuf...VINGT " Two Shots Rang...Over the Silent Morning I took a breath as two shots rang simultaneously over the silent morning. The two men stood facing each other with smoking pistols. They had both missed. I had the urge to cross myself. Instead, I opened the saber box. Each man reached for the flexible blades, and moved farther away. Rivera stood between the combatants holding his large walking stick at shoulder height. Not
a word was spoken. No one in the crowd moved. Rivera nodded to both men as they
raised their sabers to meet each other's at the Mexican's stick. There was a short
pause. Rivera dropped his stick. Steel clanged and sparks flew into the cool morning air as the well-dressed crowd, entirely male, rested on their canes and stared transfixed as Kissling and Gottleib circled each other. A newspaper reporter taking notes as he watched in a businesslike fashion. It was Guillaume Apollinaire, for whom the contest was a struggle between Kissling, a follower of Derain, and Gottleib, a disciple of Van Gogh. Two Polish painters and a Polish journalist saw everything in terms of who followed whom, as though it mattered. The Struggle Grows More Furious The struggle lasted an hour and became more furious as tempers grew. The two had to be separated forcibly, but not before Gottlieb was wounded on the chin and Kissling had blood running from the bridge of his nose. Kissling quickly dubbed his wound "the fourth separation of Poland". Gottleib and Rivera left without a word. Kissling was euphoric. This little scar is nothing. His silky skin and beautiful face were still generally intact. "I had worse wounds when I was in the foreign legion," he shouted. That night Kissling served red wine in his studio to celebrate his victory. Getting through the ordeal was victory itself. For months afterwards the duel was reported in the papers and magazines. My name was never mentioned. To read the next chapter, click here. | |